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Situation

At the bench

Returning to a negative or another piece from the same rough? Record the exposure settings for a print or the cutting and polishing stages for a stone, then refer to them when you resume.

Choose the record you need

  1. Print in the darkroom · DF.023

    The Darkroom Print Record

    Record the negative, paper, equipment, test strips, dodging, burning and assessment after drying. Final printing notes provide the settings for a later reprint, and the copy log records where each finished print went.

  2. Cut and polish a stone · DF.026

    The Lapidary Process Book

    Link each cabochon, freeform or small polished specimen to its source rough. Record the cuts, equipment, abrasives, polish and rework behind the finished or stopped piece.

Other situations

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